“The Prisoners of the Passage”
“All things in this world are a product of the formula: (function times economy).”
Unfolding the future of architecture through past “rituals” as a form of order and disruption
Real art must be ‘made by the people and for the people, as a happiness for the maker and the user.’
the Asymmetry of Objectivity
The city historically constructed is no longer lived and is no longer understood practically.
The Copan Building as an Urban Intervention
“Resists the notion that common ground is an inheritance; instead, we should see it as a task.”
David Leatherbarrow
The Reticent of the Outside
”The house should be reticent on the outside and unveil its entire richness on the inside.”
Atmosphere as something more than a two-Dimensional Element
“Atmosphere starts where construction ends.”
The PSFS Building as a ‘Revolutionary’ Act
“New problems have been posed and new equipment created to solve them.”
Le Corbusier
The Revolution Won’t be Televised
Spatial qualities, many times struggle to distinguish themselves from their own reproductions.
From Digital to Post | A brief timeline of Architectural Representations
The drawing itself has been subsumed by the tools we’ve chosen to use.
Dystopian Realities, Utopian Ideals
Auroville will be used as a case study in the process of unraveling the characteristic of such utopic communities, and through Foucault’s notion of utopic-heterotopic space.
A Journey into the “Truth” in Present Tense
“Architectural history can no longer be contained within the scope of a single discipline.”
Athens as an Urban Archipelagos
How much additional green does the city require in order to reach the European average of 7 m2? How can this be placed in the city?”
Refugees as Prisoners of The Passage
“no one leaves home unless
home is the mouth of a shark.
you only run for the border
when you see the whole city
running as well.
you have to understand,
no one puts their children in a boat
unless the water is safer than the land.”
Caine’s Eco-House as a Remote “Island” in a Temporal Archipelagos
Continuous Monument all “understood graphic space as significant in and of itself while presenting a different trajectory—not just for drawing but for imagining architecture, simultaneously setting up alternative architectural propositions.”
The Symbiosis of The Past and Future Through the Prism of Buckminster Fuller
A structure refusing to touch the realistic conditions of our given context, the ground, while his floating cities could and should be seen as autonomous entities that ‘refuse to pay rent to any short of landlord.
The Heretic Dogma of the Machine
Is architecture an artistic depiction at the scale of a building or is it the sum of researched quantifiable inputs?
The legacy of the Bauhaus
The great depression and the World War II “led to the adoption of forms that in most cases bore little resemblance to their supposed European antecedents.”
The House As The Foundation Of Our Structured Everyday
“A building for human habitation, especially one that is lived in by a family or small group of people.”
The Empire State Building in a Symbolic State of ‘Between and Betwixt’
Such places of the ‘heteros’, the other, seemed to have acquired more layers of meaning and relationships than what meets the eye as to other places.
Skyscraper, the Heterotopia par “Excellence”
The skyscraper was manifesting the ambition and desire for power of self-begotten individuals.